MOTHER COURAGE AND HER CHILDREN
by Bertolt Brecht
by Bertolt Brecht
Tue 15 - Sat 19 May 2007 at 7.30pm
The Church of the Holy Sepulchre, Sheep Street, Northampton
CAST & CREW
Mother Courage Pauline Sawford
Kattrin Alex Rex
Eilif Lee Kells
Swiss Cheese Tom Monksfield
Recruiter Owen Warr
Sergeant Kevin Pinks
Cook Ian Clarke
Chaplain Barry Dougall
The General Barry L Hillman
Armourer David Ashton
Yvette Pottier Gemma Knight
Man with Patch Ian Spiby
Second Sergeant Kevin Pinks
Ancient Colonel Barry L Hillman
Clerk Paul Thornhill
Angry Young Soldier Martin McCreadie
Older Soldier Andrew Nettleship
Peasant Woman Ingrid Heymann
Second Peasant Woman Doreen Wright
Peasant Boy Francisco Iannuzzi
Peasant Man Owen Warr
Peasant’s Wife Sue Howes
Ensign Andrew Nettleship
Soldier Mark Mortimer
Descriptor Ingrid Heymann, Ian Spiby
Musicians Rod Clarke, Scott Blundell
Director Rob Kendall
Stage Manager Clare Brittain
Lighting The Works, Mario Nobre
Sound Ian Clarke, Mario Nobre
Costume Masque Theatre, The Works, Pam Mann, Clare Brittain, Rob Kendall, Andrew Nettleship
Set Design Rob Kendall
Cart and set built by Derek Banyard, Mark Mortimer
Photo gallery
What is a performance of Mother Courage and Her Children primarily meant to show?
Brecht wrote of the theme ‘That in wartime the big profits are not made by little people. That war, which is a continuation of business by other means, makes the human virtues fatal even to their possessors. That no sacrifice is too great for the struggle against war.’
The series of scenes are more than just business transactions though as Mother Courage takes her cart, and children, through the landscape of war.
Through her we see what men may do to men.
We see a rhythm of defiance, outrage and resistance in the microcosm of her actions that echo one of Brecht’: fundamental concepts that society makes men what they are.
Finding the balance in a large cast production to bring out Brecht's dialectic and estrangement in performance, the ‘verfremdungseffekte’, has been both challenging and exciting.
Especially when actors are able to question their previously held ideas about how ‘theatre’ works.
This production is directed by Rob Kendall. He has also directed: Twelfth Night (2005), Bent (2004), Hell Cab (2004), Murder in the Cathedral (2002), A View From The Bridge (2002), Entertaining Mr Sloane (2000), East (1998), A Streetcar Named Desire (1997) and Antony and Cleopatra (1996)